From Text to Screen: Classical French Literature Experienced through Film



Classical French literature is often considered old fashioned, sclerotic and much too invaluable to be studied yet again. Nevertheless, numerous directors and producers continue to accept the challenge—at the same time aesthetic and political—of adapting and conceptualizing literature though images. This course proposes studying the complexities of the novel, comedy and dramatic 17th century poetry, by way of seminal works: How do we envisage Madame de La Fayette today, from La Princesse de Clèves to La belle Personne (C. Honoré) through the eponymous film by J. Delannoy, La Lettre (M. de Oliveira) or even La Fidelité (A. Zulawski)? Or what do we make of the recent adaptation of La Princesse de Montpensier by B. Tavernier? How do comedy stars such as Smaïn, after R. Coggio or P. Fox, in Les Fourberies de Scapin, or Michel Serrault and Jean-Marie Bigard, before B. Lazar in Le Bourgeois gentilhomme, succeed in making us laugh with Molière? Furthermore, what do we continue to make of ancient tragedy after its Racinian production, as P. Chéreau, P. Jordan or B de Coster did for Phèdre? The ambitious goal of this course involves rethinking classicism to arrive at a better understanding of the present.