Theories of Spectatorship, Audience, and Fandom

With the spread of digital technologies, remix has come to the forefront as a major form of artistic work and cultural and political commentary. In this course we will explore the history, cultural and legal impact, and creative logics of remix traditions. We will examine how digital technologies shape transformative creativity. Drawing on the work of theorists such as DJ Spooky and Lawrence Lessig, we will consider the creative and legal ramifications of remix logics. We will explore a range of remix works across media with a focus on video. Students will also produce remixes through individual and group work. Note to students: this course involves substantial streaming of films and television for assigned viewing. (FMMC 0101 or FMMC 0102 or FMMC 0104 or FMMC 0254) 3 hrs. lect./disc./3 hrs. screen.

Schedule
12:25pm-1:40pm on Monday, Wednesday at ONLINE (Sep 8, 2020 to Dec 4, 2020)
7:30pm-10:25pm on Tuesday at ONLINE (Sep 8, 2020 to Dec 4, 2020)
Location
Main Campus: ONLINE (Online Course), ONLINE (Online Course)
Instructors